After hearing many good reports and rave reviews about this week’s new release; My Week with Marilyn, I went to see it both excited and expectant. I had been told that the performances from Branagh (who plays Laurence Olivier) and Williams (as Monroe) were top notch.
Both the film and the aforementioned performances did not disappoint. Late 1950s Britain looks idyllic and quintessentially British, and the story – based on a diary account of Colin Clark, an assistant for Olivier, was very moving and at times gave a sense that even in 1956 the writing, for the tragic fate of Monroe six years later, was potentially already on the wall.
I have to say that I was enamoured with Michelle Williams (whom I only knew from Dawson’s Creek) and her portrayal of Marilyn Monroe. I really hope that she gets the critical acclaim and recognition that is much deserved for her performance.
Understated yet always a star attraction Dame Judi Dench is also excellent. Just as in Shakespeare in Love she is not in this film for that long, but in the scene where her character confronts Olivier in defence of Monroe she is simply wonderful and oozes class and refinement.
Whilst I loved the film, the performances and the story, there was one thing that made me feel a little uncomfortable and I don’t know if other people who have or will see it will feel similarly?
Colin Clark’s account is that as a young man he found himself in a position whereby he was able to get very close to the then world famous Monroe. From his perspective, she comes across as both troubled and innocent, struggling to cope with the demands of her fame and the realisation that she must at all times live up to the persona of Marilyn Monroe on film.
His account shows that there are people in her life, surrounding her and making decisions for her, that understand that they are on to a good thing and that they have a golden goose. The young Clark therefore comes across as someone that she is able to lean on, even if only briefly, and let down her guard to and this is where I found myself struggling. It was not with the acceptance of the idea that Monroe might have shown this side of herself to a young assistant, it was more that Clark, after having seen Monroe’s vulnerability, her struggle for normality in a world where she had already become infamous, and having witnessed the money making that went on around her then went on to publish an intimate account of both his time with her and that non public side of her. His account has made her privacy public, and even in death it seems that Monroe is still a golden goose.
I liked the film a lot, but it did feel like a guilty pleasure. Perhaps that’s just me and I do wonder if I’d feel differently if Marilyn Monroe was still alive today.